straw poll: the best noisemaker....

What are guitar strings made of? For technical questions about music and gear.

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What's the best device for making the good sounds?

The Electric Guitar (with the fuzztone)
3
23%
The Electric Guitar (with the fuzztone!)
0
No votes
The Bass (double or otherwise, for the back end)
0
No votes
The Double Bass (the stand-up, baby)
2
15%
The Drums (or anything struck with hands and sticks)
0
No votes
The Acoustic Guitar (steel string or nylon)
0
No votes
The Theremin, Mellotron or Moog
0
No votes
The Hammond or Rhodes (blues keyboards)
0
No votes
The Moog, Mellotron, or Theremin (electronic nostalgia)
0
No votes
The Hammond or Rhodes (the blues keyboards)
3
23%
The Free Reeds (accordion, bagpipes, harmonica or sheng)
0
No votes
The Acoustic Guitar (steel or nylon)
1
8%
The Fixed Reeds (sssaxxx, clarinet)
0
No votes
The Free Reeds (accordion, harmonica, bagpipe)
1
8%
Classical strings (the bowed instruments, like violins and cellos)
0
No votes
The Classical Strings (violin, cello, erhu)
0
No votes
The Drums (or anything beaten with hands or sticks)
0
No votes
The Computer or Drum Machine
1
8%
The Fixed Reeds (clarinet, saxophone)
0
No votes
Brass!
2
15%
 
Total votes: 13

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John
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Postby John » Wed May 07, 2003 3:15 pm

Well, The Roxichord Approximator was clearly constructed by Sam Coomes himself. From the front it looks coffin-like and rockin' but from the back it looks like he tore the upholstery out of a couch and put a piano in it.

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miss michaela dee
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Postby miss michaela dee » Wed May 07, 2003 3:37 pm

I've nowt seen it from the player's (i.e. Sam's) side, just the back (since you know, I'm standing in the front row, being a goober) -- thx for confirming my suspicions that something sofa-upholstery-like was going on in there. :D

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Unremarkable
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Postby Unremarkable » Wed May 07, 2003 9:57 pm

I'm saddened by the fact that no one else has voted for Brass. :(

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grant
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Postby grant » Thu May 08, 2003 7:36 am

Odd thing about brass - lovely for a stirring march or some vigorous genres of Caribbean dancehall music (and here I refer to the "ska" phenomenon so popular in Jamaica and elsewhere), but rarely soothing or, dare I say, melancholy, except in Classical arrangements and ensembles currently fallen in disfavor. Fashion is a fickle beast, never entirely tamed.

Brass has a certain anthemic military flair, however, that I think is often overlooked by today's composers.

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meg
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Postby meg » Thu May 08, 2003 10:00 am

grant wrote:Odd thing about brass - lovely for a stirring march or some vigorous genres of Caribbean dancehall music (and here I refer to the "ska" phenomenon so popular in Jamaica and elsewhere), but rarely soothing or, dare I say, melancholy, except in Classical arrangements and ensembles currently fallen in disfavor. Fashion is a fickle beast, never entirely tamed.


I think that depends on which brass. Trumpets scream march (or Beulah), but as an ex-French horn player, I've always felt that the horn was best suited to rounding out other sounds and, in well-arranged pieces, lending other instruments a fullness in which they may echo. The tuba and baritone guard the low end, the trumpet picks the high end, and the horn is left somewhere in between--but always ready to scale up and over the trumpet if absolutely necessary. It has such a warm, comforting sound--check the use on "Blue Diamonds" for nice thematic reference. French horns on rock albums always seem to have a particular distant presence that allows them to fill out a song without taking it over.

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Merlin
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Postby Merlin » Thu May 08, 2003 11:09 am

French Horn also has a nice role on "After the Gold Rush" by Neil Young and "God Only Knows" by the Beach Boys. (at least I think those are french horns).

It's so melancholy but authoritative.

Whereas an oboe always just makes me giggle.

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Postby miss michaela dee » Thu May 08, 2003 11:15 am

Merlin wrote:Whereas an oboe always just makes me giggle.


Oboes always seem to say, in a rather trite way, "we're being SERIOUS and MELANCHOLY here, people!" in a way that lacks the subtleness of a muted french horn.

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grant
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Postby grant » Thu May 08, 2003 11:49 am

The local radio broadcast of "Evenin' Jazz" uses, as its signature tune, one of the most unusual applications of the oboe I have ever heard: Yusuf Lateef playing a version of "In the Evening."

Quite something, that.

French horns - lovely, distant, emotionally wrought instruments. Yes. I am all in favor. Practically woodwinds, those things. Use 'em in autos, they should. Certainly make driving a bit more pleasant.

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Merlin
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Postby Merlin » Thu May 08, 2003 12:05 pm

I just wish my filecard for french horns weren't Winchester on M*A*S*H.

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miss michaela dee
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Postby miss michaela dee » Thu May 08, 2003 12:21 pm

shld. clarify: popsongs that use oboes as emotional shorthand are trite and annoying....

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meg
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Postby meg » Thu May 08, 2003 12:28 pm

Merlin wrote:French Horn also has a nice role on "After the Gold Rush" by Neil Young and "God Only Knows" by the Beach Boys. (at least I think those are french horns).


Also lots of nice support on Joni Mitchell's Court and Spark and that one Beatles song. You know, the one with the horn?

Merlin wrote:Whereas an oboe always just makes me giggle.


If I remember properly, the mean nasty trumpet players used to quack at our oboe player. (BAND NERD!) I also remember one of my fellow horn-players referring to a bassoon as a "farting bedpost."

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Moni
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Postby Moni » Thu May 08, 2003 1:19 pm

miss michaela dee wrote:
Merlin wrote:Whereas an oboe always just makes me giggle.


Oboes always seem to say, in a rather trite way, "we're being SERIOUS and MELANCHOLY here, people!" in a way that lacks the subtleness of a muted french horn.


i dunno... mozart wrote a few really sad oboes... it can be done!

that said, i miss moog synthesizers in this poll. and the arp odyssey

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miss michaela dee
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Postby miss michaela dee » Thu May 08, 2003 1:50 pm

Liz wrote:
miss michaela dee wrote:
Merlin wrote:Whereas an oboe always just makes me giggle.


Oboes always seem to say, in a rather trite way, "we're being SERIOUS and MELANCHOLY here, people!" in a way that lacks the subtleness of a muted french horn.


i dunno... mozart wrote a few really sad oboes... it can be done!

that said, i miss moog synthesizers in this poll. and the arp odyssey


If you'll look up a few posts, you'll see that I clarified. I have no beef with the use of oboes in classical compositions.

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Moni
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Postby Moni » Thu May 08, 2003 2:00 pm

miss michaela dee wrote:If you'll look up a few posts, you'll see that I clarified. I have no beef with the use of oboes in classical compositions.


Ummm I just wanted to prove that there's always a good reason to read *all* posts in a thread (aka lame excuse no.27)


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